2017 Highs, Lows and Losses

I ended up taking an unscheduled break from blogging and social media over the holidays as I was laid up with a nasty virus and its after effects.  Bleh.  So in an attempt to get back into the saddle, I’m taking a leaf out of Anne-Marie’s book with this “Some things that happpened in 2017” post.  So in no particular order here’s a ramble through some of the things that made an impression on me, for one reason or another, over the last year.

OER17

OER is my conference;  I’ve never missed a single one since it kicked off in 2010.  They’re always thought provoking and topical events, but OER17 The Politics of Open was particularly timely and unexpectedly emotional. I was fortunate to take part on several panels and talks, but the one that will always stay with me is Shouting from the Heart, a very short, very personal, lightning talk about what writing, openness and politics means to me.  I’d never given such a personal talk before and, not to put too fine a point on it, I was fucking terrified. I was supposed to end with a quote from the Declaration of Arbroath but I bottled it and had to stop because I was in danger of crying in front of everyone. It was a deeply emotional experience, but the overwhelming response more than made up for for my mortification.   I was also extremely grateful to meet up with many old friends and to meet many new friends too.

International Women’s Day

I was honoured to be name checked on International Women’s Day by several colleagues who I respect and admire hugely.  I’m still deeply touched.  Thank you.

Mashrou’ Leila  مشروع ليلى

Mashrou’ Leila مشروع ليلى are a Lebanese indy rock band whose lead singer Hamed Sinno is openly gay and a vocal advocate for LGBTQ issues, women’s rights and contemporary Arab identity. Mashrou’ Leila also happen to be one of my favourite bands of the last year so I was over the moon to be in London when they played an amazing open air gig at Somerset House in July.  It was a fabulous night and I don’t think I’ve ever seen such a diverse crowd at a music event.  I got quite emotional seeing the rainbow flag flying over Somerset House. Sadly, when Mashrou’ Leila played in Cairo a few months later, seven concert goers were arrested for raising that same rainbow flag and were subsequently charged with promoting sexual deviancy.

Mashrou’ Leila, Somerset House, CC BY Lorna M. Campbell

Wiki Loves Monuments

I’ve meant to take part in the Wiki Loves Monuments photography competition for years now.  I’ve taken hundreds of photographs of monuments over the years and they really should be in the public domain rather than languishing on various ancient laptops.  But it took my fabulous colleague and University of Edinburgh Wikimedian in Residence, Ewan McAndrew, to prod me into contributing.  Ewan made it his mission to get as many photographs of Scottish monuments uploaded to Wikipedia Commons as possible, and maybe try to beat the Welsh in the process.  The whole competition was hugely enjoyable and got very competitive. By the time it closed at the end of September over 2000 new images of Scottish monuments had been uploaded, and 184 of my old holiday snaps had found a new lease of life on Wikimedia Commons. Hats of to Ewan and Anne-Marie for the hundreds of amazing photographs they submitted to the competition.

A few of my pics…

Women in Red

In 2016 I was honoured to join Wikimedia UK’s Board of Trustees but it was in 2017 that I really started editing Wikipedia in earnest.  I created a number of new pages for notable women who previously didn’t have entries.  The ones I’m most proud of are:

Mary Susan MacIntosh, sociologist, feminist, lesbian, and campaigner for lesbian and gay rights.  MacIntosh was a founding member of the London Gay Liberation Front, she sat on the Criminal Law Revision Committee which lowered the age of male homosexual consent, and she played a crucial role in shaping the theory of social constructionism, a theory later developed by, and widely attributed to Michel Foucault. MacIntosh’s Wikipedia page still needs a lot more work, so please, if you can help, go ahead and edit it.

Elizabeth Slater a British archaeologist specialising in archaeometallurgy. She was the first female professor of archaeology appointed by the University of Liverpool.  Liz was also the only female lecturer teaching archaeology at the University of Glasgow when I was a student there and her lectures made a huge impression on me. I was chuffed to be able to build a Wikipedia page for her.

Open Tumshies

Mah tumshie appeared in The Scotsman online! And you can read about it here 🙂

Open tumshies ftw!

Audierne Bay

In July my partner drove our aged VW camper van all the way to Brittany and we spent two weeks camping in Finistère with our daughter.  While we were there we visited Audierne Bay, where the Droits de L’Homme frigate engagement took place during a ferocious gale on the night of 13th January 1797.  This engagement was the starting point for the book Hornblower’s Historical Shipmates, which I wrote with my dear friend Heather Noel-Smith.  The day I visited Audierne Bay was bright and sunny and the beach was filled was families and holiday makers.  It was a sobering thought to stand there and look out at the reefs where hundreds of men lost their lives two hundred years before.

Audierne Bay, CC BY Lorna M. Campbell

CMALT

Finally, after years of procrastinating, I wrote my portfolio and became a Certified Member of the Association for Learning Technology.  And I did it all in the open!

Me and inspirational ALT CEO, Maren Deepwell, CC BY, @ammienoot

UNESCO OER World Congress

In September I was honoured to attend the UNESCO OER World Congress in Ljubljana to represent the University of Edinburgh and Open Scotland, along with my colleague Joe Wilson. I’m so glad we were able to attend because, along with the fabulous Leo Havemann, we were the only people there from the UK.  It was a really interesting event and I hope the resulting OER Action Plan it will help to raise the profile of OER worldwide.

UNESCO OER World Congress, CC BY Slovenian Press Agency

Louvain-la-Neuve

In November I was invited to give a talk about OER and open education at UCLouvain. It was a brief but enjoyable trip and I’d like to thank Christine Jacqmot and Yves Deville for their hospitality and for showing me around their unique city and university.

Mural, Louvain-la-Neuve, CC BY Lorna M. Campbell

Tango

I don’t get to dance much these days, due to work, commuting, childcare etc, but I did get to have one or two tango adventures this year.

A wedding and a ridiculous frock

In October my sister got married in Stornoway and I promised to buy the most ridiculous vintage frock I could find for the wedding.  I think I succeeded.

Channelling Abigail’s Party…

These guys…

Nike & Josh, CC BY Lorna M. Campbell

Also these guys…

We had a family of foxes living in the garden this year.  When I was working from home through the summer months I often had two or three foxes curled up sleeping in the sun outside my window, if not even closer!

Josh & friend, CC BY Lorna M. Campbell

Inevitably there was some real low points and losses during the year too.

I had a horrible medical emergency while travelling to Brittany and had to get blue-lighted off the boat in an ambulance and carted off to hospital in Morlaix.  Never, ever, have I been so glad that my partner is a nurse and stubborn as hell.  Without him, I don’t know what would have happened.

Public Transpot

I don’t drive.  That’s a choice, not an accident.  But I travel continually so I spent a lot of my time on public transport. I take the bus and the train to work, which is a four hour commute twice a week.  When public transport isn’t available, I use a local taxi firm.  I never use Uber, because fuck that for a business model. I keep reading all this stuff about automated and driverless cars but tbh, I don’t want any more cars on the road, driverless or otherwise.  I want decent public transport, which is regular, reliable, clean, and safe for women travelling alone at any hour of the day or night. Oh, and I also want the people who work for these public transport systems to earn a decent living wage.  Is that too much to ask?

Maryam Mirzakhani

Maryam Mirzakhani was an Iranian mathematician, professor at Stamford University and the first woman to win the Fields Medal for mathematics.  In March I was invited to speak at the International Open Science Conference in Berlin and I took the title of my talk, Crossing the Field Boundaries, from an interview with Maryam.

“I like crossing the imaginary boundaries people set up between different fields—it’s very refreshing. There are lots of tools, and you don’t know which one would work. It’s about being optimistic and trying to connect things.”

A Tenacious Explorer of Abstract SurfacesQuanta Magazine, August 2014

Four months later, I was deeply saddened to hear that Maryam had died of breast cancer at the age of 40.  The loss of such a gifted woman is unfathomable.

Bassel Khartabil

In August we heard the devastating news that the detained Syrian open knowledge advocate Bassel Khartabil had been executed by the Syrian government in 2015.  I never met Bassel, but I was deeply moved by his story and I contributed to a number of initiatives that tried to raise awareness of his plight. I will never forget that this man lost his liberty and his life for doing a similar job that I, and many of my colleagues, do every day.  This is my memorial to him.

Wiki Loves Monuments – An amazing contribution to the commons

The Wiki Loves Monuments competition came to a close last Friday and I’d be lying if I didn’t admit that I was still uploading ancient holiday snaps at quarter to midnight.  Who knew I had so many pics of ancient ruins?!  By the time the competition closed, a staggering 14,359 new images of UK scheduled monuments and listed buildings had been uploaded to Wikimedia Commons, over 2000 of which came from Scotland.  And what’s even more impressive is that 1,351 of those image were uploaded by colleagues from the University of Edinburgh 💕 That’s an amazing contribution to the global commons and a wonderful collection of open educational resources that are free for all to use.  Our most prolific contributor was our very own Wikimedian in Residence Ewan McAndrew, who we have to thank for spurring us all on, closely followed by Anne-Marie Scott, who contributed some glorious images of Pheobe Traquair’s murals at the Mansfield Traquair Centre.  And the diversity of the images uploaded is just incredible.  Everything from castles, cathedrals, country houses, churches, cemeteries, chambered cairns, terraces, fountains,  bars, bridges, brochs, botanic gardens, and even a lap dancing club (thank you Ewan…) I managed to upload a modest 184; my oldest monument was the Callanish Stones on my home island of Lewis and most modern was a picture of Luma Tower in Glasgow that I took out the window of a passing bus!  You can see all my pics here, and not one of them was taken with an actual camera :}

A new lease of life for your holiday snaps

I’ve been spending most of my evenings this week looking through photographs on old laptops, not because I’ve been overtaken by a fit of nostalgia, the reason I’m trawling through old holiday snaps is that I’m looking out pictures to submit to this year’s Wiki Loves Monuments competition.  And as a former archaeologist, monuments feature very heavily among my holiday pics :}

Wiki Loves Monuments is the worlds biggest photography competition which runs annually during the whole month of September.  The rules are simple, all you have to do is upload a high quality picture of a scheduled monument or listed building to Wiikimedia Commons through one of the competition upload interfaces.  You can browse monuments to photograph using this interactive map, or you can search for monuments using this interface, this is the one I’ve been using but it’s all a matter of preference. The competition is open to amateurs and professionals alike and you don’t even need a camera to enter, mobile phone pictures are fine as long as they’re of decent quality. You can enter as many times as you like, and you can submit entires taken anywhere in the world as long as you own the copyright and are willing to share them under a CC BY SA licence.

I’ve been meaning to enter Wiki Loves Monuments for years and it’s in no small part due to the persuasive powers of my colleague Ewan McAndrew, Wikimedian in Residence at the University of Edinburgh, that I’ve finally got my act together to enter.  A little healthy competition with our Celtic cousins also hasn’t done any harm….At the time of writing Wales had 510 entries, Scotland 289, Ireland 197.   You know what you need to do :}

Some of my more energetic colleagues at the University of Edinburgh have been out and about of an evening snapping pictures all over the city and beyond, but I’ve decided to raid my back catalogue instead.  So far I’ve unearthed and uploaded pics of Culzean Castle and Camellia House, Mount Stuart, Waverley Station, Teviot Row, St Giles Cathedral, the General Register Office, Sloans Ballroom, University of Glasgow Cloisters, Kibble Palace, and Garnet Hill Highschool for Girls.  My pictures might not win any prizes but it’s a great way to contribute to the Commons and create new open educational resources!  If you’ve got  old snaps lurking on a laptop or hard drive, why not give them a new lease of life on the Commons too? 🙂

Camellia House, Culzean Castle, CC BY Lorna M. Campbell

Links
Wiki Loves Monuments
Scotland loves Monuments 2017 by Ewan McAndrew
Wanderings with a Wikimedian by Anne-Marie Scott

Open Knowledge, OER, Wikimedia, MOOCs and Maritime Masculinities

How is it March already?!  I’ve been sorely neglecting this blog for the past few months, not because I’ve got nothing to say, quite the opposite, I’ve been so tied up with different projects I’ve barely had a chance to write a single blog post! A poor excuse I know, but anyway, here’s a very brief run down of what I’ve been up to for the past three months and hopefully I’ll be able to get back to blogging on a regular schedule soon.

Most of my time has been taken up with two new IS Innovation Fund projects I’m running at the University of Edinburgh.

UoE Open Knowledge Network

The UoE Open Knowledge Network is an informal forum to draw together the University’s strategic policies and activities in the area of Open Data, Open Access, Open Education, Open Research, Open Collections and Archives, in order to support cross-fertilisation and promote the institution’s activities in these areas. This Network aims to embed open knowledge within the institution and to establish a self-sustaining network supported by the departments and divisions that have oversight of the University’s strategic Open Access, Open Education and Open Data policies.

The Network held its first event in January which featured a keynote from Gill Hamilton of the National Library of Scotland plus lightning talks from colleagues across the institution.  You can read more about the event on the Open Knowledge network blog here: http://okn.ed.ac.uk/

UoE Open Knowledge Network, CC BY Stephanie Farley

Accessing Open Research Outputs MOOC

Since the publication of the Finch report and the Research Councils’ policy on open access, universities have increasingly made the outputs of their publicly funded research freely and openly available through open access journals and repositories. However it’s not always easy for people outwith academia to know how to access these outputs even though they are available under open licence.

This project is developing a short self paced learning MOOC aimed at the general public, private researchers, entrepreneurs and SMEs to provide advice on how to access open research outputs including Open Access scholarly works and open research data sets, in order to foster technology transfer and innovation. The course will focus on developing digital and data literacy skills and search strategies to find and access open research outputs and will also feature a series of case studies based on individuals and SMEs that have made successful use of the University of Edinburgh’s world class research outputs.

This is the first time I’ve worked on a MOOC project and I’m delighted to be working with Morna Simpson, of Geek Girl Scotland who has just been named one of Scotland’s most influential women in tech.

Wikimedia UK

I’ve been involved in a whole host of Wikimedia events including the Wikimedia UK Education Summit at Middlesex University, where Melissa Highton gave an inspiring keynote and I chaired a panel of lightning talks, #1Lib1Ref which encouraged Librarians and wikimedia editors to add one reference to Wikipedia to mark the 15th anniversary of the foundation of Wikipedia, and the History of Medicine editathon, part of the University of Edinburgh’s Festival of Creative Learning.  This event was a personal highlight not only because it took place in the stunning Surgeon’s Hall Museum and featured an utterly fascinating series of talks on subjects as diverse as Lothian Health Services Archive and William Burke, Scotland’s most prolific serial killer, but also because I got to create a new Wikipedia page for Ethel Moir, a nurse from Inverness who served on the Eastern Front in WW1.  I’m planning to do some more work on Ethel’s Wikipedia page tomorrow as during the University of Edinburgh’s Bragging Writes editathon as part of International Women’s Day.

History of Medicine Editathon, Surgeon’s Hall, CC BY Ewan McAndrew

UNESCO European Consultation on OER

2017 marks the 5th anniversary of the Paris OER Declaration and UNESCO and the Commonwealth for Learning are undertaking an international consultation focused on OER for Inclusive and Equitable Quality Education. Since the end of last year I’ve been liaising with COL to ensure that Scotland was represented at this consultation which is being undertaken in advance of the 2nd World OER Congress which will be held in Ljubljana later this year.  Joe Wilson went along to the consultation in Malta represent Open Scotland and you can read his report on the event here.

Maritime Masculinities Conference

Way back in December I took a week off from Ed Tech to co-chair the Maritime Masculinities Conference at the University of Oxford. The two day conference featured keynotes from Prof. Joanne Begiato, Dr Isaac Land and  Dr Mary Conley and a wide range of international papers.  I chaired a panel of papers on the theme of Sexualities and my co-author Heather Noel-Smith and I also presented a paper on Smoking Chimneys and Fallen Women: the several reinventions of Sir Henry Hart.  We were pleasantly surprised by the success of the conference and the lovely feedback we got from delegates.

I’ve also got a lot of conferences and events coming up over the next couple of months, but I think that deserves a separate blog post!

Open Archaeology and the Digital Cultural Commons

When I joined the Board of Wikimedia UK earlier this year I was asked if I’d like to write a blog post for the Wikimedia UK Blog, this is the result….

Eilean Dhomhnaill,  Loch Olabhat by Richard Law, CC BB SA 2.0

Eilean Dhomhnaill, Loch Olabhat by Richard Law, CC BB SA 2.0

Although I’ve worked in open education technology for almost twenty years now, my original background is actually in archaeology.  I studied archaeology at the University of Glasgow in the late 1980s and later worked there as material sciences technician for a number of years. Along the way I worked on some amazing fieldwork projects including excavating Iron Age brochs in Orkney and the Outer Hebrides, Bronze Age wetland sites at Flag Fen, a rare Neolithic settlement at Loch Olabhat in North Uist, the Roman fort of Trimontium at Newstead in the Scottish Borders and prehistoric, Nabatean and Roman sites in the South Hauran desert in Jordan.  I still have a strong interest in both history and archaeology and, perhaps unsurprisingly, I’m a passionate advocate of opening access to our shared cultural heritage.

Archaeological field work and post excavation analysis generates an enormous volume of data including photographs, plans, notebooks and journals, topographic data, terrain maps, archaeometric data, artefact collections, soil samples, osteoarchaeology data, archaeobotanical data, zooarchaeological data, radio carbon data, etc, etc, etc.  The majority of this data ends up in university, museum and county archives around the country or in specialist archives such as Historic Environment Scotland’s Canmore archive and the Archaeology Data Service (ADS) at the University of York.  And while there is no question that the majority of this data is being carefully curated and archived for posterity, much of it remains largely inaccessible as it is either un-digitised, or released under restrictive or ambiguous licenses.

Cadbury Castle Post Ex c. 1992

Cadbury Castle Post Ex c. 1992

This is hardly surprising for older archives which are composed primarily of analogue data.  I worked on the reanalysis of the Cadbury Castle archive in the early 1990’s and can still remember trawling through hundreds of dusty boxes and files of plans, context sheets, finds records, correspondence, notebooks, etc. That reanalysis did result in the publication of an English Heritage monograph which is now freely available from the ADS but, as far as I’m aware, little if any, of the archive has been digitised.

Digitising the archives of historic excavations may be prohibitively expensive and of debatable value, however much of the data generated by fieldwork now is born digital. Archives such as Canmore and the ADS do an invaluable job of curating this data and making it freely available online for research and educational purposes.  Which is great, but it’s not really open.  Both archives use custom licenses rather than the more widely used Creative Commons licences.  It feels a bit uncharitable to be overly critical of these services because they are at least providing free access to curated archaeological data online.  Other services restrict access to public cultural heritage archives with subscriptions and paywalls.

Several key thinkers in the field of digital humanities have warned of the dangers of enclosing our cultural heritage commons and have stressed the need for digital archives to be open, accessible and reusable.

The Journal of Open Archaeology Data is one admirable example of an Open Access scholarly journal that makes all its papers and data sets freely and openly available under Creative Commons licenses, while endorsing the Panton Principles and using open, non-proprietary standards for all of its content. Internet Archaeology is another Open Access journal that publishes all its content under Creative Commons Attribution licences.  However it’s still just a drop in the ocean when one considers the vast quantity of archaeological data generated each year.  Archaeological data is an important component of our cultural commons and if even a small portion of this material was deposited into Wikimedia Commons, Wikidata, Wikipedia etc., it would help to significantly increase the sum of open knowledge.

Wikimedia UK is already taking positive steps to engage with the Culture sector through a wide range of projects and initiatives such as residencies, editathons, and the Wiki Loves Monuments competition, an annual event that encourages both amateur and professional photographers to capture images of the world’s historic monuments.  By engaging with archaeologists and cultural heritage agencies directly, and encouraging them to contribute to our cultural commons, Wikimedia UK can play a key role in helping to ensure that our digital cultural heritage is freely and openly available to all.

This post originally appeared on the Wikimedia UK Blog

Manifestos, Mòds and the Future of Gaelic in Scotland

Last week was the October school holidays so I took my daughter home to the Outer Hebrides to visit family.  My trip coincided with the Royal National Mòd which was held in my home town of Stornoway this year so I was able to go along to some of the Mòd fringe events.

On Wednesday I was at the Council Chambers in Stornoway to hear Mr John Swinney, Deputy First Minister and Cabinet Secretary for Education and Skills, present the Angus Macleod Lecture on The Place of Gaelic in Modern Scotland.  (I’ve already written a more comprehensive blog post about the Minister’s lecture for the Open Scotland blog here.)  In a wide ranging and really rather inspiring talk Swinney reiterated the government’s commitment to Gaelic stating

“Gaelic belongs to Scotland, hostility to Gaelic has no place in Scotland and we should all unite behind the effort to create a secure future for Gaelic in Scotland.”

National Library of Scotland, Digitised with permission of An Comunn Gàidhealach

National Library of Scotland, Digitised with permission of An Comunn Gàidhealach

In questions after the lecture I also had an opportunity to ask Swinney for his thoughts on the role of ICT in supporting Gaelic education.  He answered by re-stating the Government’s commitment to providing 100% network connectivity throughout Scotland and went on to highlight the importance of education technology in broadening the coverage of education provision and ensuring that Gaelic education can reach greater numbers of learners than ever before.  In addition he also emphasised the new opportunities that ICT affords young people in the Highlands and Islands, enabling them to expand their education and skills, and seek new careers without having to leave the Gàidhealtachd.

The second fringe event I went to was Manifestos, Mòds and Music, a fascinating talk by Jennifer Gilles on the National Library of Scotland’s digitised Gaelic collections. Jennifer presented a short history of An Comunn Gàidhealach illustrated by a whole host of items from the Library’s collections, ranging from publications and periodicals, to Mòd programmes and ephemera, printed music and even recipe books.  I confess I was particularly fond of the “Celtic Terms of Invective” column from one of An Comunn’s early 1900’s periodicals. You can find a short Storify of Jennifer’s talk here.

Jennifer’s talk was followed by a showing of the a 1942 film The Western Isles. Set in Harris, the film depicts scenes of island life during World War II, as a family anxiously awaits news of their son after his ship, the Atlantic Queen, is sunk by a German submarine in the Mid Atlantic. The son, admirably played by a 14 year old motor mechanic from Harris, successfully skippers the lifeboat back to the Hebrides and returns to his family. It was fascinating to recognise many of the places that appeared in the film and many Hebridean families, mine included, can relate similar tales of heroism from the both the Merchant and Royal Navy during the Second World War.

The Western Isles

Ian Mac Néill Ghiolais in The Western Isles

Maritime Masculinities Conference Registration

Registration is open for the Maritime Masculinities conference which takes place at St Anne’s College Oxford on the 19th and 20th December.

Register for Maritime Masculinities

Maritime Masculinities covers the period from 1815 – 1940, which saw the demise of the sail ship, the rise of steam and oil-powered ships, the erosion of British naval and maritime supremacy during two world wars, the advent of the Pax Britannica, and the emergence of popular navalism through the press, popular literature, photography and film.  Panels will cover a wide range of topics and themes including: material culture and technology, bravery and honour, memory and nostalgia, race and empire, visual culture, life stages, homosociability, and sexualities.  A full conference programme will be published shortly.

The conference features a wide range of international speakers from the UK, USA, Canada, Italy, Germany and Sweden, along with keynotes from leading international scholars Professor Joanne Begiato, Oxford Brookes University, Dr Mary Conley, College of the Holy Cross, and Dr Isaac Land, Indiana State University.

Professor Joanne Begiato has worked on the role that representations of military and maritime masculinity played in the formation of masculine identity in the eighteenth and nineteenth centuries. She is particularly interested in the part played by material culture and emotions in disseminating and fixing ideas about manliness.

Dr Mary Conley’s research areas include the intersection between empire, navy, and manhood in British society; imperialism and post-colonialism; maritime history; and the history of gender, family and childhood. She is particularly interested in issues relating to boys’ culture and sodomy.

Dr Isaac Land has written about masculinity and the Royal Navy in a variety of contexts, including patriotism, popular politics, spectacle, empire, nostalgia, autobiography, domestic violence, and religion. He will present a keynote on “Dibdin’s Ghost in the Age of Ironclads”.

Further information about Maritime Masculinities is available from the conference website https://maritimemasculinities.wordpress.com/ and on twitter @MMasculinities.  Emails can be directed to maritimemasculinities@gmail.com

Maritime Masculinities is supported by Oxford Brookes University, Portsmouth University and the Society for Nautical Research.  The conference is being organised by Prof Joanne Begiato, Dr Steven Gray, Dr Isaac Land and Ms Lorna M. Campbell.

Sailors at capstan

Sailors and an accordion player on board Magdalene Vinnen (no known copyright restrictions)

Wikimedia UK AGM

On Saturday I went along to my first Wikipedia AGM in Birmingham.  It was a really interesting event and it was great to meet so many dedicated Wikimedians and also to see more than a few familiar faces. Martin Poulter has put together a Storify of tweets and pictures from the event here Wikimedia UK AGM 2016.

The event featured an inspiring keynote on The Open Movement by Andy Mabbett who highlighted the importance of linking Wikimedia initiatives to both Open Government and national heritage organisations and who argued that we need to  do more to welcome people to the open community and communicate why openness is important to everyone.

Selfridges, Birmingham

Selfridges, Birmingham

Andy’s talk was followed by a workshop on Wikidata and a walk around the local area to take photographs for Wikimedia Commons.  Who’d have thought a photography safari of Digbeth could be so fascinating? 🙂 I just need to remember to upload some of the pictures I took to the Commons.

In the afternoon we had a fascinating series of lightning talks, one of which covered the brilliant Wiki Loves Monuments photography competition which will take place in the UK again later this year.

Of course the highlight of the day was the UK Wikimedian of the Year Awards.  Martin Poulter was a very worthy winner of the individual UK Wikipedian of the Year award; Navino Evans, one of the developers behind the fabulous Histropedia timeline tool, received an Honourable Mention; and I was delighted that the OER16 Open Culture Conference won Partnership of the Year.

The AGM concluded with the Board meeting and I was honoured to be voted onto the Board as a new Trustee of Wikimedia UK.  The University of Edinburgh already has a strong relationship with Wikimedia UK and I hope that I can make a positive contribution to nurturing the development of a supportive and mutually beneficial relationship between Wikimedia and the education sector.  Gill Hamilton, of the National Library of Scotland stepped down from the Board, so I’ll also be doing my best to fill her shoes as the Scottish representative on the Board, though it’ll be a hard act to follow!

with Josie Fraser, Wikimedia UK Trustee and #OER17 Co-Chair

with Josie Fraser, Wikimedia UK Trustee and #OER17 Co-Chair

Maritime Masculinities 1815 – 1940 final call for papers

And now for something completely different…

OER16 isn’t the only conference I’m organising this year, I’m also delighted to be involved with organising the Maritime Masculinities 1815 – 1940 conference along with Professor Joanne Begiato, Oxford Brookes University, Dr Steven Gray, University of Portsmouth, and Dr Isaac Land, Indiana State University.  The conference takes place at Oxford Brookes University on 19th- 20th December, 2016 and invites proposals on a wide range of topics including, but not limited to

Shipmates Tough and Tender. Italy c. 1925. Casas-Rodríguez Collection, CC BY NC ND 3.0

Shipmates Tough and Tender. Italy c. 1925.
Casas-Rodríguez Collection, CC BY NC ND 3.0

  • The growth of maritime empires, and cultural contact with indigenous peoples.
  • The maritime man in material culture, fashion, advertising and the press.
  • Exploration and heroism.
  • Photography, art, and film.
  • Fiction, theatre, and music.
  • Sailors in port and at home.
  • Dockyards and shipbuilding.
  • Heritage, memory, and museums.

The call for papers has already been open for several months and closes at the end of this week on 20th May. There’s still time to submit an abstract though!

Proposals are invited for short papers (20 minutes) and panel sessions (60 minutes). Abstracts of up to 250 words are invited, and should be sent to maritimemasculinities@gmail.com

The period from 1815 – 1940 saw the demise of the sail ship, and the rise of the machine-driven steam, and then oil-powered ships. It began as a period of both naval and maritime supremacy for Britain, which was subsequently eroded during two world wars. After a century of frequent naval warfare, there was the advent of the Pax Britannica, and the phenomenon of navies which barely fought. Moreover, popular navalism emerged in advertising, pageantry, and popular literature, and was the subject of photography and then film.

Cultural ideals of masculinities also underwent considerable shifts in a period that in civilian life advocated differing styles of manliness including Christian manliness, muscular Christianity, and the domestic man, and in the armed forces deployed tropes of masculinity such as bravery, stoicism, and endurance to the extent that military and maritime models of manliness were held up as aspirational models for all men.

Further information about the Maritime Masculinities 1815 – 1940 Conference is available from the conference blog maritimemasculinities.wordpress.com

Maritime Masculinities is sponsored by Oxford Brookes University, Port Towns & Urban Cultures at the University of Portsmouth,  and the Society for Nautical Research.

German sailors and an accordion player on board Magdalene Vinnen, March 1933

German sailors and an accordion player on board Magdalene Vinnen, March 1933. No known copyright restrictions.

#ReadAnneDiary Campaign

anna_frank-infograph1 (1)Today is World Intellectual Property Day and colleagues in Poland and the Netherlands have chosen this date to launch the #ReadAnneDiary campaign which aims to highlight the EU’s current confusing and outdated copyright framework. Readers of this blog will know how strongly I feel that important historical and cultural heritage artefacts are openly licensed and freely available to all, so this is a campaign that I am very happy to highlight and support.  It seems more critical than ever to ensure that important works like The Diary of Anne Frank are freely available for all of us to read and to learn from. 

“Recently, Anne Frank’s famous diary has been in the spotlight because of a copyright dispute about when the literary work enters the public domain. After some intricate legal calculations, it seems that the Dutch version of The Diary of Anne Frank is now in public domain (as of 2016) in Poland, but not in the Netherlands or other EU countries, due to specific aspects of their copyright laws. The patchwork of EU copyright rules are too confusing, and the public is paying the price by not having access to some of their most important creative and cultural works.

On April 26, Centrum Cyfrowe is making available a digital version of The Diary of Anne Frank at the website www.annefrank.centrumcyfrowe.pl. Unfortunately, due to the restrictive territorial rules regarding copyright, the website will only be accessible for users inside Poland. Yes, you read that right: access will be blocked for anyone attempting to view the site from outside of Poland. Why are we doing this? We’re doing it to draw attention to the absurdity of these types of copyright rules. The Diary of Anne Frank is an important historical work—published originally in Dutch in the Netherlands. It should be available in the public domain across Europe. Yet now, it will not be accessible anywhere except for Poland.”

Centrum Cyfrowe
http://www.annefrank.centrumcyfrowe.pl/