23 Things: Thing 7 Twitter

I first signed up for twitter in April 2007 and I’ve been tweeting pretty much continually ever since; over 23,000 tweets and counting! It’s no exaggeration to say that, in terms of work, I would be lost without twitter.  Twitter has become so fundamental to my work and my identity as an open educational practitioner that I genuinely don’t think I could do my job without it.  Twitter is my workspace, it’s my office, it’s where I hang out with friends and connect to colleagues all over the world.  It’s where I pick up news, find new ideas, and listen to fresh perspectives. It’s where continuous professional development happens.  It’s where I learn. As someone who works remotely a lot of the time, twitter enables me to be part of a global connected community of open education practitioners.

Live tweeting ALTC

Live tweeting ALTC by www.chrisbullphotographer.com

Twitter is also an invaluable tool for communicating and disseminating educational events all kinds of. It’s second nature for me to live tweet every event I attend and if I can’t get online, I feel a bit lost. I find that live tweeting helps me to process what I’m listening to and the 140 character limit means I have to synthesise the ideas as I go along. Sometimes I get invited to live tweet events, such as the ALT Conference and the Day of Digital Ideas, in a more official capacity. Live tweeting in an official capacity requires a slightly different approach to live tweeting from my own account.  When I live tweet on behalf of an event organiser I try to keep my tweets as factual, neutral and representative as possible.  If I’m tweeting personally, I tend to tweet the points that interest or irritate me, adding my own thoughts and comments along the way. It feels  quite different. If you’re interested in finding out more about how to use twitter to amplify academic events, here’s a presentation I gave at the Day of Digital Ideas at the University of Edinburgh: Using Social Media to Amplify Academic Events.

Despite the fact that twitter is such an important channel for me, I actually use very few twitter tools. I have tweetbot installed for occasions when I want to manage multiple accounts but I prefer to use the generic web interface.  I do have a couple of lists set up, but I very rarely use them, I prefer not to filter as I love the random serendipity of my twitter feed.  The only twitter tools I use with any regularity are Storify, for collating event tweets, and Martin Hawksey’s fabulous TAGs for archiving and visualising tweets associated with event hashtags.

Although I think of twitter as a work channel first and foremost, I tend not to filter what I tweet.  I don’t just tweet about educational technology, I tweet about all kinds of things that interest me – naval history, poetry, sexuality and gender,tattooing, art, politics, rugby, whatever.  These things are all part of my real life identity, so they’re part of my online identity too.

My twitter feed

Threats, intimidation and #femfog

I follow a lot of historians on twitter and earlier in the week I stumbled across the #femfog tag at the International Medieval Congress #IMC2016.  Femfog is a term coined by the retired Mediaeval historian Allen J. Frantzen who apparently had “strong views” about his female colleagues.  In a now deleted personal blog post Frentzen wrote

“Let’s call it the femfog for short, the sour mix of victimization and privilege that makes up modern feminism and that feminists use to intimidate and exploit men … I refer to men who are shrouded in this fog as FUMs, fogged up men. I think they are also fucked up, but let’s settle for the more analytical term.”

If you want to read the whole sorry history of femfog I can highly recommend reading this post by Jo Livingston Snakes and Ladders On Allen Frantzen, misogyny, and the problem with tenure.

The #femfog session covered a wide range of issues relating to women in academia in general and in humanities in particular, including lack of diversity, misogyny, racial and sexual discrimination even “dig culture” and harassment on archaeological excavations*.  I was only able to follow snippets of the conversation as I was in the process of writing this blog post NewDLHE – personal reflections on measuring success, which ironically touched on some of the issues being discussed. You can revisit the #femfog discussions on this storify #FemFog at IMC 2016.

One tweet that did catch my eye though was this one:

I retweeted it and added

It’s true. I’ve lost count of the number of times I’ve been told I’m “intimidating”.  I’m genuinely bemused by this.  I mean I’m barely over five feet tall and I’m the kind of person who actively avoids conflict and aggressive behaviour so why do colleagues find me intimidating? Of course I’ve always had my suspicions that the kind of behaviour people find “intimidating” coming from me would be regarded as perfectly normal among older, male colleagues. For example I don’t hesitate to speak up in meetings and if I have something to contribute to the debate I’ll say it (waiting my turn first of course). I also often chair meetings, committees and events which sometimes necessitates stopping some people from monopolising the conversation in order to ensure everyone has an opportunity to speak.  Is that really such “intimidating” behaviour? Or am I missing something?

Anyway, my reblog seems to have struck a chord as several colleagues retweeted it and added their own comments.

Three days later and this thread is still going strong on twitter. Seems like we’re an intimidating bunch…

* I should add, despite working on archaeological excavations for many years, I never personally experienced any harassment though I was well aware it existed and I was certainly familiar with dig culture.

Cultural Heritage Sparks

I recently went along to the first meeting of the Digital Cultural Heritage Research Network here at the University of Edinburgh. The aim of the network is to

“bring together colleagues from across the University to establish a professional network for researchers investigating digital cultural heritage issues, seeking to include perspectives from diverse disciplines including design, education, sociology, law, cultural studies, informatics and business. Partners from the cultural heritage sector will play a key role in the network as advisors and collaborators.”


Anyone who follows this blog will know that I have a bit of a thing about opening access to digital cultural resources so I was pleased to be able to contribute a lightning talk on digital cultural heritage and open education. This was one of an eclectic series of lightning talks that covered a wide range of subjects and topics.  I live tweeted the event and Jen Ross has collated tweets from the day in a Storify here: Digital Cultural Heritage Research Network, Workshop 1 and has also written a recap of the workshop here Recap of Workshop 1: Cultural Heritage Sparks.

My EDINA colleague Lisa Otty kicked off the day talking about the Keepers Extra Project which aims to highlight the value of the Keepers Registry of archiving arrangements for electronic journals. Lisa noted that only 17% of journals are archived in the Keepers Registry and asked the very pertinent question “do we trust publishers with the stewardship of electronic journals?” I think we all know the answer to that question.

I confess I rehashed a previous presentation on the comparative dearth of openly license cultural heritage collections in Scotland which allowed me to refer for the millionth time to Andrew Prescott’s classic blog post Dennis the Paywall Menace stalks the Archives. This time however I was able to add a couple of pertinent tweets from the Digging Into Data Round Three Conference that took place in Glasgow earlier in the week.

did_tweet_1 did_tweet_2

One lightning talk that was particularly close to my heart was by Glyn Davis who spoke about the openness, or lack thereof, of gallery and museum content, and reflected on his experience of running the Warhol MOOC.  Glyn noted that license restrictions often prevent copyright images from being used in online teaching and learning, however many of the students who participated in the Warhol MOOC understood little about copyright restrictions and simply expected to be able to find and reuse images via google, so lots of discussion about open access was required as part of the course.



Other highlights included Jen Ross‘ talk on Artcasting a project which is exploring how digital methods can be used inventively and critically to reimagine complex issues. The project has built an app which engages audiences by allowing them to capture images and decide where to send them in time and space and time, while also retrieving data for evaluation.  Bea Alex introduced the impressive range of projects from the Language Technology Group, including historical text projects, which aim to use text mining to enrich textual metadata with geodata from the Edinburgh Geo Parser. Stephen Allen spoke about the MOOC the National Museums of Scotland created to run in parallel with their Photography – A Victorian Sensation exhibition.  The museum now hopes to reuse content from future exhibitions for more MOOCs. Rebecca Sinker presented a fascinating keynote on Tate’s research-led approach to digital programming which prompted an interesting discussion on how people engage with art now that so much of it is available online. Angelica Thumala spoke all too briefly about her research exploring emotional attachment and experience of books in different modalities, and left us with one of the loveliest quotes of the day

“Books are constant companions, people carry them around and develop physical and emotional attachments to them.”

The workshop ended with four group discussions focussing on issues raised by participants; openness and preservation; participation and interpretation; semantic web and curation; and how can DCHRN create a sustainable interdisciplinary network.  These and other issues will be picked up in the next workshop Research that matters – playing with method, planning for impact takes place in March

DCHRN is coordinated by:

  • Dr Jen Ross, Digital Education
  • Dr Claire Sowton, Digital Education
  • Professor Sian Bayne, Digital Education
  • Professor James Loxley,  Literatures Languages and Culture
  • Professor Chris Speed, Design Informatics

On a side note, it’s a while since I’ve done a lightning talk and I’d forgotten how difficult it is to put together such a short presentation. Seriously, it took me most of an afternoon to put together a 5 minute talk which really is a bit ridiculous. Seems like I’m not the only one who struggles with short presentations though, when I moaned about this on twitter, a lot of people replied agreeing that the shorter the presentation, the more preparation is required. Martin Weller reminded me of the quote “If I had more time, I would have written a shorter letter”, while Kevin Ashley invoked Jeremy Bentham who was allegedly happy to give a two hour speech on the spot, but a fifteen minute talk required three weeks notice.  I guess I’m with Bentham on that one!

Day of Digital Ideas 2015

Digital humanities is an area that I’ve been interested in for a long time but which I haven’t had much opportunity to engage with, so earlier this week I was really excited to be able to go along to the Digital Scholarship Day of Digital Ideas at the University of Edinburgh.  In the absence of my EDINA colleague Nicola Osborne and her fabulous live blogging skills, I live tweeted the event and archived tweets, links and references in a storify here: Digital Day of Ideas 2015.  I also created a TAGS archive of tweets using Martin Hawksey’s clever Twitter Archiving Google Spreadsheet.

The event featured three highly engaging keynotes from Ben Schmidt, Anouk Lang, and Ruth Ahnert, and six parallel workshops covering historical map applications and OpenLayers, corpus analysis with AntConc, data visualisations with D3, Drupal for beginners, JavaSCript basics and Python for humanities research.

Humanities Data Analysis

~ Ben Schmidt, Northeastern University

Ben explored the role of data analysis in humanities and explored the methodological and social challenges presented by humanities data analysis.  He began by suggesting that in many quarters data analysis for humanities is regarded as being on a par with “poetry for physics”.  Humanities data analysis can rase deep objections from some scholars, and seem inimical to the meaning of research.  However there are many humanistic ways of thinking about data that are intrinsic to the tradition of humanities. Serendipity is important to humanities research and there is a fear that digital research negates this, however it’s not difficult to engineer serendipity into cultural data analysis.

But what if borrowing techniques from other disciplines isn’t enough? Digital humanities needs its own approaches; it needs to use data natively and humanistically, as a source of criticism rather than to “prove” things. Humanities data analysis starts with the evidence, not with the hypothesis.  The data needs to tell stories about structures, rather than individual people.   Johanan Drucker argues that what we call “data” should really be called “capta”:

Capta is “taken” actively while data is assumed to be a “given” able to be recorded and observed. From this distinction, a world of differences arises. Humanistic inquiry acknowledges the situated, partial, and constitutive character of knowledge production, the recognition that knowledge is constructed, taken, not simply given as a natural representation of pre-existing fact.

Johanna Drucker on data vs. capta

Ben went on to illustrate these assertions with a number of examples of exploratory humanities data analyses including using ngrams to trace Google books collections, building visualisations of ship movements from digitised whaling logbooks, the Hathi Trust bookworm, and exposing gendered language in teachers reviews on Rate my Teacher.  (I’ve worked with ships musters and log books for a number of years as part of our Indefatigable 1797 project, I’ve long been a fan of Ben’s whaling log visualisations which are as beautiful as they are fascinating.)

Ships tracks in black, show the outlines of the continents and the predominant tracks on the trade winds. © Ben Schmidt

Ben concluded by introducing the analogy of Borges The Garden of Forking Paths and urged us to create data gardens and labyrinths for exploration and contemplation, and to provide tools that help us to interpret the world rather than to change it

Gaps, Cracks, Keys: Digital Methods for Modernist Studies

~ Anouk Lang, University of Edinburgh

Manifesto of Modernist Digital Humanities

Manifesto of Modernist Digital Humanities

Anouk explored the difficulties and opportunities facing scholars of twentieth-century literature and culture that result from the impact of copyright restrictions on the digitisation of texts and artefacts. Due to these restrictions many modern and contemporary texts are out of digital reach.  The LitLong project highlights gaps in modernist sources caused by copyright law.  However there are cracks  in the record where digital humanities can open up chinks in the data to let in light, and we can use this data as the key to open up interesting analytic possibilities.

During her presentation Anouk referenced the Manifesto of Modernist Digital Humanities, situating it in reference to the Blast Manifesto, Nathan Hensley’s Big Data is Coming for Your Books, and Underwood, Long and So’s Cents and Sensibility.

By way of example, Anouk demonstrated how network analysis can be used to explore biographical texts. Biographies are curated accounts of people’s lives constructed by human and social forces and aesthetic categories. There is no such thing as raw data in digital text analysis: all the choices about data are subjective. Redrawing network maps multiple times can highlight what is durable. For example network analysis of biographical texts can reveal the gendered marginality of writers’ wives.

In conclusion, Anouk argued that digital deconstruction can be regarded as a form of close reading, and questioned how we read graphical forms such as maps and network illustrations. How do network maps challenge established forms of knowledge? They force us to stand back and question what our data is and can help us to avoid the linearity of narrative.

Closing the Net: Letter Collections & Quantitative Network Analysis

~ Ruth Ahnert, Queen Mary University of London

Ruth’s closing keynote explored the nature of complex networks and the use of mathematical models to explore their underlying characteristics.  She also provided two fascinating examples of how social network analysis techniques can be used to analyse collections of early modern letters, a set of Protestant letters (1553 – 1558) and Tudor correspondence in State Papers Online,  to reconstruct the movement of people, objects, and ideas.   She also rather chillingly compared the Tudor court’s monitoring of conspiracies and interception of letters with the contemporary surveillance activities of the NSA.

Ruth Ahnart.  Picture by Kathy Simpson, @kilmunbooks

Ruth Ahnart. Picture by Kathy Simpson, @kilmunbooks.

Ruth introduced the concept of betweenness* – the connectors that are central to sustaining a network.  Networks are temporal, they change and evolve over time as they are put under pressure.  Mary I took out identifiable hubs in the Protestant network by executing imprisoned leaders, however despite removing these hubs, the networks survived because the sustainers survived, these are the people with high betweenness.  In order to fragment a network it is necessary to remove, not the hubs or edges, but the nodes with high betweenness.

Ruth went on to introduce Eigenvector centrality which can be used to measure the quality of people’s connections in a network, and she explored the curious betweenness centrality of Edward Courteney, 1st Earl of Devon (1527 – 1556). Courteney’s social capital is quantifiable; he was typical of a character with high Eigenvector centrality, who cuts across social groups and aligned himself with powerful nodes.

In conclusion, Ruth suggested that network analysis can be used to open archives, it doesn’t presume what you’re looking for, rather it can inspire close reading by revealing patterns previously unseen by traditional humanity research.

I was certainly hugely inspired by Ruth’s presentation.  I have some passing familiarity with the concepts of network analysis and betweenness centrality from the work of Martin Hawksey and Tony Hirst however this it the first time I have seen these techniques applied to historical data and the possibilities are endlessly inspiring.  One of the man aims of our Indefatigable 1797 research project is to reveal the social networks that bound together a small group of men who served on the frigate HMS Indefatigable during the French Revolutionary War.  Using traditional techniques we have pieced together these connections through an analysis of ships musters, Admiralty archives, contemporary press reports, personal letters and birth, marriage and death certificates.  We have already built up a picture of a complex and long-lived social network, but I now can’t help wondering whether a more nuanced picture of of that network might emerge through the application of social network analysis techniques.  Definitely something to think more about in the future!

Many thanks to Anouk Lang and the Digital Scholarship team for organising such a thought provoking, fun and engaging event.

* For an excellent explanation of the concept of betweeness, I can highly recommend reading Betweenness centrality – explained via twitter, featuring Tony Hirst and my former Cetis colleagues Sheila MacNeill, Wilbert Kraan, and Martin Hawksey.  It’s all about the genetically modified zombies you see…